Instead of that new feature, I would have much rather paid for an upgrade to add the new filter types and drive knob that went into Volcano 3 as new options in the ProQ line. I personally would have rather seen a Dynamic Eq as a separate tool, not implemented in the ProQ line. Improved: Any individual CLA MixHub module (Input, EQ, Dynamics) can now be added as an extra insert plugin inside the CLA MixHub Insert slot.įixed: Various bugs in CLA MixHub, Abbey Road TG Mastering Chain and Scheps Omni Channel – including automation in VST3, parameter changes in AU hosts, Undo/Redo and Solo button functions, and more.Īdded: DTS UpMix new latency modes and extended bass management controls.Hello all, I just wanted to give some user feedback for the recent plugin updates, and just share a general wishful suggestion.
Improved: Both CLA MixHub Channel View and Bucket View can now be opened simultaneously. – Bug fixes and plugin improvements: see the full list on our Release Notes page.Īdded: Over 250 new artist presets to CLA MixHub.Īdded: CLA MixHub Lite (Mono and Stereo) components for reduced CPU consumption (up to 30% reduction depending on processor type). – Access to all plugin updates since the last major update to v9 – Eddie Kramer Drum Channel added to the Gold, Platinum, Diamond, Horizon, Broadcast & Production, Broadcast and Surround Suite, and Sound Design Suite bundles. – Electric Grand 80 Piano added to the Gold, Platinum, Diamond, Horizon, Broadcast & Production, Broadcast and Surround Suite, Sound Design Suite, and Mercury bundles. – Waves plugins added free of charge to Waves bundles covered under the Waves Update Plan: From essentials like reverb, compression, noise reduction, and EQ to modeled analog hardware, surround and post production tools, artist signature collections and beyond, Wαves Bundles feature the best of Wαves GRAMMY award-winning plugins. Featuring 64-bit support, faster scanning, faster loading, and faster processing, Wαves Version 9 opens up new dimensions of high performance plugin power.
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